Telemann-Bibliographie ©
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The Testament of Prince Johann Ernst of Saxe-Weimar, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 134–162.
Telemann’s Donner-Ode and Lutheran Nature Theology, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 165–178.
Body, Nature, and Emotion in Telemann’s Christmas Cantatas, S. 179–198.
Beyond Simplicity: Telemann’s Musical Idyll Der May, TVWV 20:40, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 199–211.
Telemann as „General Kapellmeister“ to the Bach Family, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 215–233.
Style as Substance: Kapellmeister Telemann and Konzertmeister Bach in Weimar, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 234–249.
Sacred Pastiches: Telemann Chorales in C. P. E. Bach’s Hamburg Church Music, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 250–269.
Recitative Notation in Telemann’s Church Cantatas, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 273–284.
Telemann’s Stolbergischer Jahrgang (1736–1737) in the Context of His Sacred Cantata Cycles, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 285–300.
Telemann’s Cantata Cycle of 1733–1734: Methodological Reflections on Its Identification, in: Telemann Studies, ed. by Wolfgang Hirschmann und Steven Zohn, Cambridge/New York 2022 (Cambridge Composer Studies), S. 301–323.
